The Influence of Noise, Deformation, and Distortion on a Moving Image. Analysis of Amateur Practices of Using an Imperfect Camera

This work is devoted to the study of imperfect images. In the context of this study, we define imperfect images as images that have visible traces of mediation, which can manifest themselves as noise, interference, distortion, deformation, etc. The work aims to comprehensively describe the phenomenon, and ultimately reveal the aesthetic and political potential of imperfect images. In the process of research, firstly, a set of criteria will be developed based on which imperfect images can be identified as a separate category of images. Secondly, it examines how noise and mediation in general influence and constitute an imperfect image. Thirdly, the main approaches to considering noise will be described and the history of its conceptualization will be studied. In addition, we will also separately pay attention to the analysis of various aspects and features of the viewer’s perception of an imperfect image. Finally, the aesthetic and political significance of the imperfect image, the imperfect camera, and the noise will be studied and discussed. Throughout this research, we will examine the imperfect image through several relevant theoretical frameworks. In the first chapter, we will explore how imperfect images can become both objects toward which nostalgia is directed and ways in which it is actively practiced. Here the most relevant authors for our analysis will be M. Fischer, F. Jameson, K. Niemeyer, G. Bartholeyns and others. The second chapter is devoted to the study of various approaches that conceptualize noise, here I turn to the theories of such authors as J. Attali, M. Thompson, M. Serra, G. Hainge and others. In the third chapter, the imperfect image is explored through optics associated with the theory of image: M. Podro, G. Boehm, embodied, multisensory and haptic perception: L. Marks, V. Sobchak, using phenomenological approaches: E. Husserl, M. Merleau-Ponty, J.-L. Marion. In addition to this, I also refer to authors who study affect, primarily M. Hansen. As a result of the study, it was analyzed and described from different angles how the imperfect image is constituted and functions. It was revealed that the imperfect image has significant political and aesthetic potential, primarily due to its ability to evoke intense affect in viewers. However, for this potential to be realized, certain conditions must be created, requiring some suspension and co-attunement. In addition, it was revealed that an imperfect image can also be effectively used by conservative forces to maintain the status quo.