Genius as a Substitute for the Divine in the Early Philosophy of F.W.J. Schelling

This master's thesis explores the concept of genius in the early philosophy of F.W.J. Schelling. It focuses on his key works, including his System of Transcendental Idealism (1800), Philosophy of Art (1802-1804), and his speech On the Relation of the Fine Arts to Nature (1807). The aim of the study is to trace the evolution of the concept of genius in Schelling's work and to identify how genius acts as a transmitter of the divine beginning in the world through art. The first chapter analyses the ontological foundations of Schelling's philosophy, emphasising the role of the absolute as the basis of the universe and the place of humankind in this system. The second chapter is devoted to an in-depth analysis of the concept of genius, examining its evolution and key aspects in the philosopher's various works. The third chapter discusses the significance and contemporary relevance of Schelling's concept of genius. The thesis argues that Schelling's understanding of genius and art underwent significant transformations. It examines his evolving views on the nature of genius and the role of art in expressing the absolute. The research further investigates how Schelling resolved the contradictions between the finite and the infinite, and how this is reflected in his philosophical system and perception of art. The research methodology is based on historical-philosophical reconstruction and comparativist analysis, which allows for a detailed examination of the evolution of Schelling's thought and its influence on the philosophy of art. This dissertation underscores the enduring significance of Schelling's concept of genius for contemporary philosophical discourse.