Organization of the Score and Music Codes in Elisabeth Mnatsakanova's Poems

The thesis is devoted to the analysis of the work of Elizaveta Mnatsakanova, a unique neo-avant-garde author. In this work, her poems are considered as a musical and poetic system, where the arts in their synthesis form a single indivisible phenomenon and are supported by the idea of universality of art postulated by the author. The musical codes used by the author are explained. Attention is paid to the principles of musical organization of texts, the influence of the peculiarities of musical genres on the graphics, phonetics and semantics of poems; There are connections with classical and avant-garde musical traditions, as well as with the tradition of the poetic avant-garde. A new model is proposed for the interpretation of the author's poems, the interrelation of the leitmotivs of the author's work with the genres chosen by her, writing strategies and graphic design of the text is revealed.