Alexander Pisarev
- Visiting Lecturer: Faculty of Creative Industries / HSE Art and Design School
- Alexander Pisarev has been at HSE University since 2024.
Courses (2024/2025)
- History and Theory of Design (Master’s programme; Faculty of Creative Industries field of study Design, field of study Design, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Design, field of study Design, field of study Design, field of study Fine Art; 1 year, 1, 2 module)Rus
- History and Theory of Design (Mago-Lego; 1, 2 module)Rus
- History and theory of art (Master’s programme; Faculty of Creative Industries field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Fine Art; 1 year, 1, 2 module)Rus
- History and theory of art (Mago-Lego; 1, 2 module)Rus
- History and theory of design. Basic course (Bachelor’s programme; Faculty of Creative Industries field of study Design, field of study Design; 2 year, 1-4 module)Rus
- History and theory of design. Basic course (Bachelor’s programme; Faculty of Management; 2 year, 1-4 module)Rus
- History and theory of design. Basic course (Mago-Lego; 3, 4 module)Rus
- History and theory of design. Basic course (Bachelor; 2 year, 1-4 module)Rus
- Theory and philosophy of contemporary art. Basic course (Bachelor’s programme; Faculty of Creative Industries; 2 year, 1-4 module)Rus
- Past Courses
Courses (2023/2024)
- Contemporary art concepts (Bachelor’s programme; Faculty of Creative Industries; 3 year, 1-4 module)Rus
- History and Theory of Design (Bachelor’s programme; Faculty of Management; 3 year, 1-4 module)Rus
- History and theory of art (Master’s programme; Faculty of Creative Industries field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Design, field of study Design, field of study Design, field of study Design; 1 year, 1, 2 module)Rus
- History and theory of art (Mago-Lego; 1, 2 module)Rus
- History and theory of design. Basic course (Mago-Lego; 3, 4 module)Rus
- History of Design (Master’s programme; Faculty of Creative Industries; 1 year, 1, 2 module)Rus
- History of Design (Mago-Lego; 1, 2 module)Rus
- Technoscience and Mediaculture (Master’s programme; Faculty of Creative Industries; 2 year, 3 module)Eng
- Technoscience and Mediaculture (Mago-Lego; 3 module)Eng
Courses (2022/2023)
- Contemporary art concepts (Bachelor’s programme; Faculty of Creative Industries; 3 year, 1-4 module)Rus
- History and Theory of Design (Master’s programme; Faculty of Creative Industries; 1 year, 1-4 module)Rus
- History and Theory of Design (Mago-Lego; 1-4 module)Rus
- History and theory of art (Master’s programme; Faculty of Creative Industries field of study Pedagogy, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Fine Art, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design, field of study Design; 1 year, 1-4 module)Eng
- History and theory of art (Mago-Lego; 1-4 module)Eng
Courses (2021/2022)
- Contemporary Art Practices (Bachelor’s programme; Faculty of Creative Industries; 3 year, 1-4 module)Rus
- History and theory of art (Master’s programme; Faculty of Creative Industries; 1 year, 1-4 module)Rus
19
Dec
2022
Students of Critical Media Studies Carry out Research on Monsters and Horror
Traditionally, humans have imagined monsters as the exact opposite of themselves: huge, violent, or invisible and soulless beasts. This is apparent in many examples in cinema. However, the image of monsters on the screen transforms with time. A group of Critical Media Studies master’s students organised an event covering the topic of how this transformation takes place at the ‘Playing with Fear: New Image of Monsters in Horror Films’ round table on December 10th.